a forum for thinking through material/ity/ism via the aesthetic categories of excess & minimalism.
I have walked behind the sky. For what are you seeking? The fathomless blue of Bliss.’
In this conversation, psychoanalyst Jamieson Webster will explore the consequences of Freud’s theory of the death drive. Working in silence, hiding in plain sight, a kind of relentless negative pull or rift, what kind of attempts can we make to work with the death drive and begin to mark a limit? Looking at dreams, unfolding sessions in psychoanalysis, the making of art, and political activism, we will think about the death drive in the contemporary landscape. We will pay particular attention to the problem of the visual in relation to the internet, the age of information, and iPhones.
Join fashion historian Caroline Evans and fashion writer Dal Chodha for a talk focused on the history and contemporary responses/anxieties about the fashion runway format.
Tessel Veneboer will lead a workshop on Kathy Acker’s plagiarism, pseudo-autobiograpy, and sexual politics. We will read from "The Childlike Life of the Black Tarantula” (1975) and “Dead Doll Humility” (1990) to consider how Acker’s auto-plagiarism reverses the logic of autofiction and undermines the sex-positive feminism of écriture féminine.
Not knowing is it’s unpower.
Sign up for *Notes on the Anatomy of Systemic Enjoyment* - a workshop with Mohamad Dib that will provide an overview of Lacan’s theory of the four discourses and will discuss its relevance for thinking about the relation between capitalist abstraction and affective economies.
The judgement of interesting not only highlights but also protracts and extends the dialogic underpinnings of all taste
Material beyond extraction! Kinship beyond the nuclear family!
Monique Todd
Weronika Wojda
Rick Geene
2022
I have walked behind the sky. For what are you seeking? The fathomless blue of Bliss.’
On Monday November 13 we’ll screen Blue, Derek Jarman’s final feature film, released in 1993 — an unchanging blue screen voiced over with diaristic and poetic reflections on his AIDS-related illness, impending death and partial blindness, which on occasion was interrupted by blue light.
A foreword to his draft reads: ‘To make a film about illness is dangerous because the parameters of any epidemic change rapidly. So far the films we have seen articulate from outside. Since the virus is essentially invisible, the Blue reflects it more accurately.’
Join us!
13/11/2023, 19:00, Theory Stairs, Fedlev building, Sandberg Instituut